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Victorious Indaco

#2c409a
Notes

Victorious Indaco (#2C409A) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (229°, 56%, 39%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2c409a
RGB
rgb(44, 64, 154)
HSL
hsl(229, 56%, 39%)
HWB
hwb(229 17% 40%)
OKLCH
oklch(41.2% 0.149 269.3)
P3
color(display-p3 0.1891 0.2488 0.5824)
HSV
hsv(229, 71%, 60%)
LAB
lab(30.72% 23.97 -51.53)
LCH
lch(30.72% 56.84 294.94)
CMYK
cmyk(71%, 58%, 0%, 40%)

Etymology

Victorious
adjective

Latin victōriōsus, of victory — derived from victor (winner). As a color modifier, victorious implies a saturated-and-celebratory-and-conquering quality, the deep-rich color of Roman-Imperial victory-procession purpura-dyed paludamentum cloak. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and conquering.

Indaco
noun

The Italian word for indigo — borrowed via Greek indikon (Indian thing). Indaco in Italian art vocabulary refers specifically to the deep-blue plant-dye pigment used in Italian Renaissance painting for the Marian mantles and aristocratic dress. The color refers to indaco pigment in tempera: a saturated, slightly cool deep blue. The Italian cousin of indigo.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2c409a
Original
#004e9d
Protanopia
#004398
Deuteranopia
#005666
Tritanopia
#424242
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
9.10:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2C409A
Display P3
Display P3
color(display-p3 0.1891 0.2488 0.5824)
P3 has subtle headroomOKLCH chroma 0.149

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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