Plain Haori Verdigris

Latin planus, flat, level — used as a color modifier since the medieval period for hues that read as undecorated and direct. Plain white, plain blue: moderate saturation, no shift, no surface effect. Sits in the crisp-bucket center, with the implication of restraint rather than absence.

Japanese haori, short-jacket-over-kimono. As a color modifier, haori implies a Japanese-haori-and-short-jacket-over-kimono quality, the visual register of Edo-and-Meiji-haori-jacket hand-Japanese-haori-and-short-jacket-over-kimono Edo-and-Meiji-haori-jacket-and-Kyoto-Nishijin-and-Tokyo-Asakusa haori-and-Japanese-haori-and-short-jacket surfaces under Edo-and-Meiji-haori-jacket-and-Kyoto-Nishijin-and-Tokyo-Asakusa Edo-Tokugawa-and-Meiji-Tokyo Japanese-jacket-light. Sits at the modifier-and-textile end of the grid, parallel to kimono and sari in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.