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Surveyed Cobalt

#2b509b
Notes

Surveyed Cobalt (#2B509B) is a true azure with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (220°, 57%, 39%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2b509b
RGB
rgb(43, 80, 155)
HSL
hsl(220, 57%, 39%)
HWB
hwb(220 17% 39%)
OKLCH
oklch(44.6% 0.130 262.6)
P3
color(display-p3 0.2032 0.3101 0.5880)
HSV
hsv(220, 72%, 61%)
LAB
lab(35.24% 13.45 -44.85)
LCH
lch(35.24% 46.82 286.70)
CMYK
cmyk(72%, 48%, 0%, 39%)

Etymology

Surveyed
adjective

Old French surveer, to look upon — past-participle of survey. As a color modifier, surveyed implies a clear-and-measured-and-coordinated quality, the crisp color of Mason-Dixon-Line-and-Royal-Navy-Hydrographic scientific-and-cadastral land-and-sea surveying tradition. Sits at the crisp-and-mapped end of the grid, parallel to mapped and plotted in usage.

Cobalt
noun

Element Co, atomic number 27 — German Kobold, goblin, named by miners who found the metal interfered with smelting silver ore. Cobalt blue is the cobalt-aluminate pigment introduced by Louis Jacques Thénard in 1802: a saturated, slightly green-shifted deep blue with the matte finish of mineral pigment in oil. Cooler than ultramarine, warmer than prussian, with the painter's weight of a pigment used by Renoir, Van Gogh, and Cézanne.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2b509b
Original
#28589e
Protanopia
#0b4e99
Deuteranopia
#00626e
Tritanopia
#4e4e4e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.71:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.72:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2B509B
Display P3
Display P3
color(display-p3 0.2032 0.3101 0.5880)
P3 has subtle headroomOKLCH chroma 0.130

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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