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Occluded Pepper Ultramarine

#2b357c
Notes

Occluded Pepper Ultramarine (#2B357C) is a deep blue with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (233°, 49%, 33%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2b357c
RGB
rgb(43, 53, 124)
HSL
hsl(233, 49%, 33%)
HWB
hwb(233 17% 51%)
OKLCH
oklch(36.4% 0.120 272.9)
P3
color(display-p3 0.1763 0.2067 0.4691)
HSV
hsv(233, 65%, 49%)
LAB
lab(25.30% 20.01 -41.76)
LCH
lch(25.30% 46.31 295.60)
CMYK
cmyk(65%, 57%, 0%, 51%)

Etymology

Occluded
adjective

Latin occludere, to close up — past-participle of occlude. As a color modifier, occluded implies a hue blocked-and-dimmed by an intervening physical barrier. Sits at the deep-and-obscured end of the grid, parallel to eclipsed and cloaked but more clinical in register.

Pepper
modifier

Latin piper, black-pepper-corn. As a color modifier, pepper implies a black-pepper-corn-and-Malabar-Coast quality, the visual register of Malabar-Coast-and-Vietnamese-pepper hand-black-pepper-corn-and-Malabar-Coast Malabar-Coast-and-Vietnamese-pepper-and-Tellicherry pepper-and-black-pepper-corn surfaces under Malabar-Coast-and-Vietnamese-pepper-and-Tellicherry Malabar-and-Tellicherry-and-Phu-Quoc Indian-Ocean-spice-light. Sits at the modifier-and-flavor end of the grid, parallel to clove and cumin in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2b357c
Original
#00407e
Protanopia
#00397b
Deuteranopia
#004653
Tritanopia
#383838
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
11.04:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.90:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2B357C
Display P3
Display P3
color(display-p3 0.1763 0.2067 0.4691)
P3 has subtle headroomOKLCH chroma 0.120

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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