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Splashy Cane Turquoise

#2ac3ec
Notes

Splashy Cane Turquoise (#2AC3EC) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (193°, 84%, 55%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2ac3ec
RGB
rgb(42, 195, 236)
HSL
hsl(193, 84%, 55%)
HWB
hwb(193 16% 7%)
OKLCH
oklch(76.0% 0.132 221.5)
P3
color(display-p3 0.3749 0.7537 0.9082)
HSV
hsv(193, 82%, 93%)
LAB
lab(73.27% -24.35 -31.15)
LCH
lch(73.27% 39.54 231.99)
CMYK
cmyk(82%, 17%, 0%, 7%)

Etymology

Splashy
adjective

Imitative-onomatopoeic origin — adjectival suffix -y, evoking the sound of liquid impact. As a color modifier, splashy implies a saturated-and-attention-grabbing-and-bold quality, the bright color of Pop-Art-and-1950s-Tiki mid-century-modern showy-decor advertising-and-display. Sits at the bright-and-flamboyant end of the grid, parallel to showy and flamboyant in usage.

Cane
modifier

Old French canne, reed / cane. As a color modifier, cane implies a hand-cut-bamboo-or-rattan quality, the visual register of English-and-Edwardian-and-Asian-cane hand-cut-and-woven-cane bamboo-and-rattan-and-wicker hand-cut-cane-and-rattan surfaces under English-and-Edwardian-and-Asian hand-cut-cane-and-rattan furniture-and-craft light. Sits at the modifier-and-texture end of the grid, parallel to bark and hemp in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2ac3ec
Original
#abbeee
Protanopia
#92acec
Deuteranopia
#00d0d0
Tritanopia
#a5a5a5
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.08:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
10.12:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2AC3EC
Display P3
Display P3
color(display-p3 0.3749 0.7537 0.9082)
P3 has subtle headroomOKLCH chroma 0.132

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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