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Workmanlike Magnus Teal

#2abb9f
Notes

Workmanlike Magnus Teal (#2ABB9F) is a true teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (168°, 63%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2abb9f
RGB
rgb(42, 187, 159)
HSL
hsl(168, 63%, 45%)
HWB
hwb(168 16% 27%)
OKLCH
oklch(71.2% 0.124 175.9)
P3
color(display-p3 0.3612 0.7228 0.6279)
HSV
hsv(168, 78%, 73%)
LAB
lab(68.41% -43.57 3.60)
LCH
lch(68.41% 43.72 175.27)
CMYK
cmyk(78%, 0%, 15%, 27%)

Etymology

Workmanlike
adjective

Old English weorcmann, workman — adjectival suffix -like. As a color modifier, workmanlike implies a clear-and-skilled-and-honest quality where the hue carries the visual register of journeyman-craftsman careful-and-competent hand-built craft. Sits at the crisp-and-functional end of the grid, parallel to functional and practical in usage.

Magnus
modifier

Latin magnus, great-or-large. As a color modifier, magnus implies a Latin-great-and-Albertus-Magnus-and-Magna-Carta quality, the visual register of Albertus-Magnus-and-Magna-Carta-magnus hand-Latin-great-and-Albertus-Magnus-and-Magna-Carta Albertus-Magnus-and-Magna-Carta-and-Charlemagne-Carolus-Magnus magnus-and-Latin-great surfaces under Albertus-Magnus-and-Magna-Carta-and-Charlemagne-Carolus-Magnus Cologne-cathedral-and-Runnymede-meadow medieval-Latin-light. Sits at the modifier-and-Latin end of the grid, parallel to opus and virtus in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2abb9f
Original
#b4af9e
Protanopia
#a1a1a1
Deuteranopia
#00beb3
Tritanopia
#9a9a9a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.41:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.71:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2ABB9F
Display P3
Display P3
color(display-p3 0.3612 0.7228 0.6279)
P3 has subtle headroomOKLCH chroma 0.124

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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