Drawn Pegasus Verdigris

Old English dragan, to draw — past-participle of draw. As a color modifier, drawn implies a clear-and-line-and-mark quality, the crisp color of Old-Master-and-Modernist hand-drawn studio-and-life-class observational-drawing graphite-and-charcoal lines. Sits at the crisp-and-incised end of the grid, parallel to etched and drafted in usage.

Greek Πήγασος, winged-horse-of-myth. As a color modifier, pegasus implies a winged-horse-and-Great-Square quality, the visual register of Pegasus-Great-Square-and-winged-horse hand-winged-horse-and-Great-Square Pegasus-Great-Square-and-winged-horse-and-autumn-Pegasus pegasus-and-winged-horse-and-Great-Square surfaces under Pegasus-Great-Square-and-winged-horse-and-autumn-Pegasus October-and-November-autumn-zenith autumn-constellation-light. Sits at the modifier-and-cosmic end of the grid, parallel to cygnus and draco in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.