Saturated Cope Forest

From the Latin saturatus, past participle of saturare, to fill. A technical color term in modern usage — saturation is one of the three axes of HSL (with hue and lightness). As a modifier, saturated implies that the hue is at or near its maximum chromatic intensity. Sits at the bold-and-bright top of the grid.

Latin cappa, long-ecclesiastical-cloak. As a color modifier, cope implies a long-ecclesiastical-cloak-and-bishop's-cope quality, the visual register of Anglican-and-Catholic-bishop's-cope hand-long-ecclesiastical-cloak-and-bishop's-cope Anglican-and-Catholic-bishop's-cope-and-Westminster-and-Vatican cope-and-long-ecclesiastical-cloak surfaces under Anglican-and-Catholic-bishop's-cope-and-Westminster-and-Vatican Westminster-Abbey-and-Sistine-Chapel ecclesiastical-cloak-light. Sits at the modifier-and-textile end of the grid, parallel to cloak and cape in usage.

The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.