Velvety Mute Royal

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Latin mutus, silent-or-dumb. As a color modifier, mute implies a hushed-and-tongue-stilled-and-quieted quality, the visual register of silent-film-and-monastic-mute tongue-stilled-and-cloister-quieted silent-film-and-monastic-and-cloister tongue-stilled-and-still-and-quiet surfaces under silent-film-and-monastic vigil-and-cloister hush-and-quiet vow-of-silence light. Sits at the modifier-and-mood end of the grid, parallel to hush and still in usage.

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.