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Aligned Ophiuchus Turquoise

#29bfd2
Notes

Aligned Ophiuchus Turquoise (#29BFD2) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (187°, 67%, 49%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#29bfd2
RGB
rgb(41, 191, 210)
HSL
hsl(187, 67%, 49%)
HWB
hwb(187 16% 18%)
OKLCH
oklch(73.9% 0.120 208.2)
P3
color(display-p3 0.3667 0.7383 0.8123)
HSV
hsv(187, 80%, 82%)
LAB
lab(71.13% -30.76 -20.30)
LCH
lch(71.13% 36.86 213.42)
CMYK
cmyk(80%, 9%, 0%, 18%)

Etymology

Aligned
adjective

French à-ligne, to-line-up — past-participle of align. As a color modifier, aligned implies a clear-and-axis-coordinated quality where the hue carries the visual register of carefully-parallel-arranged elements. Sits at the crisp-and-balanced end of the grid, parallel to symmetrical and squared in usage.

Ophiuchus
modifier

Greek Ὀφιοῦχος, serpent-bearer. As a color modifier, ophiuchus implies a serpent-bearer-and-thirteenth-sign-and-Asclepius quality, the visual register of Hellenic-Ophiuchus-and-Asclepius-serpent-bearer hand-serpent-bearer-and-thirteenth-sign-and-Asclepius Hellenic-Ophiuchus-and-Asclepius-serpent-bearer-and-Rod-of-Asclepius ophiuchus-and-serpent-bearer-and-thirteenth-sign surfaces under Hellenic-Ophiuchus-and-Asclepius-serpent-bearer-and-Rod-of-Asclepius autumn-and-November-and-December serpent-bearer-light. Sits at the modifier-and-zodiac end of the grid, parallel to scorpio and sagittarius in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#29bfd2
Original
#adb7d3
Protanopia
#97a7d2
Deuteranopia
#00c8c5
Tritanopia
#a0a0a0
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.22:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.48:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##29BFD2
Display P3
Display P3
color(display-p3 0.3667 0.7383 0.8123)
P3 has subtle headroomOKLCH chroma 0.120

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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