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Stable Quay Verdigris

#29966e
Notes

Stable Quay Verdigris (#29966E) is a true teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (158°, 57%, 37%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#29966e
RGB
rgb(41, 150, 110)
HSL
hsl(158, 57%, 37%)
HWB
hwb(158 16% 41%)
OKLCH
oklch(60.2% 0.115 163.9)
P3
color(display-p3 0.2983 0.5799 0.4423)
HSV
hsv(158, 73%, 59%)
LAB
lab(55.49% -40.16 12.49)
LCH
lch(55.49% 42.06 162.72)
CMYK
cmyk(73%, 0%, 27%, 41%)

Etymology

Stable
adjective

Latin stabilis, standing-firm — sharing root with stand. As a color modifier, stable implies a clear-and-firm-and-unchanging quality where the hue carries the visual register of resistant-to-modulation-and-fade pigmentation. Sits at the crisp-and-firm end of the grid, parallel to steady and settled in usage.

Quay
modifier

Old French quai, wharf. As a color modifier, quay implies a stone-built-harbor quality, the visual register of Cornish-and-Mediterranean stone-built fishing-harbor-and-trading-port quay-side stone-paved-and-iron-bollard surfaces in early-morning Mediterranean-and-Cornish-fishing-harbor light. Sits at the modifier-and-place end of the grid, parallel to wharf and jetty in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#29966e
Original
#938b6c
Protanopia
#858171
Deuteranopia
#00968b
Tritanopia
#7c7c7c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.70:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.68:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##29966E
Display P3
Display P3
color(display-p3 0.2983 0.5799 0.4423)
P3 has subtle headroomOKLCH chroma 0.115

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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