Pressing Sagittarius Ultramarine

Latin pressāre, to press repeatedly — present-participle of press. As a color modifier, pressing implies a deep-and-imposing-and-weighty quality where the hue exerts visual force on its substrate. Sits at the deep-and-weighty end of the grid, parallel to crushing with insistent register.

Latin sagittarius, archer-of-the-zodiac. As a color modifier, sagittarius implies a centaur-archer-and-fire-sign-and-Jupiter-ruled-mutable-fire quality, the visual register of Hellenic-Sagittarius-and-Chiron-centaur-archer hand-centaur-archer-and-fire-sign-and-Jupiter-ruled-mutable-fire Hellenic-Sagittarius-and-Chiron-centaur-archer-and-galactic-center sagittarius-and-centaur-archer-and-fire-sign surfaces under Hellenic-Sagittarius-and-Chiron-centaur-archer-and-galactic-center late-autumn-and-November-and-December mutable-fire-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to scorpio and capricorn in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.