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Printed Pepper Verdigris

#28a7a4
Notes

Printed Pepper Verdigris (#28A7A4) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (179°, 61%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#28a7a4
RGB
rgb(40, 167, 164)
HSL
hsl(179, 61%, 41%)
HWB
hwb(179 16% 35%)
OKLCH
oklch(66.3% 0.105 192.5)
P3
color(display-p3 0.3247 0.6455 0.6393)
HSV
hsv(179, 76%, 65%)
LAB
lab(62.31% -33.40 -8.13)
LCH
lch(62.31% 34.38 193.69)
CMYK
cmyk(76%, 0%, 2%, 35%)

Etymology

Printed
adjective

Latin premere, to press — past-participle of print. As a color modifier, printed implies a clear-and-impressed-and-multiplied quality, the crisp color of Marimekko-and-Liberty-of-London hand-or-machine-printed textile-and-paper pattern-design. Sits at the crisp-and-printed end of the grid, parallel to stamped and etched in usage.

Pepper
modifier

Latin piper, black-pepper-corn. As a color modifier, pepper implies a black-pepper-corn-and-Malabar-Coast quality, the visual register of Malabar-Coast-and-Vietnamese-pepper hand-black-pepper-corn-and-Malabar-Coast Malabar-Coast-and-Vietnamese-pepper-and-Tellicherry pepper-and-black-pepper-corn surfaces under Malabar-Coast-and-Vietnamese-pepper-and-Tellicherry Malabar-and-Tellicherry-and-Phu-Quoc Indian-Ocean-spice-light. Sits at the modifier-and-flavor end of the grid, parallel to clove and cumin in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#28a7a4
Original
#9c9ea4
Protanopia
#8a91a5
Deuteranopia
#00aca6
Tritanopia
#8c8c8c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.94:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.15:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##28A7A4
Display P3
Display P3
color(display-p3 0.3247 0.6455 0.6393)
P3 has subtle headroomOKLCH chroma 0.105

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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