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Balanced Column Teal

#27c1a7
Notes

Balanced Column Teal (#27C1A7) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (170°, 66%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#27c1a7
RGB
rgb(39, 193, 167)
HSL
hsl(170, 66%, 45%)
HWB
hwb(170 15% 24%)
OKLCH
oklch(72.9% 0.127 177.8)
P3
color(display-p3 0.3677 0.7460 0.6582)
HSV
hsv(170, 80%, 76%)
LAB
lab(70.43% -44.34 2.14)
LCH
lch(70.43% 44.39 177.23)
CMYK
cmyk(80%, 0%, 13%, 24%)

Etymology

Balanced
adjective

The past participle of balance, to weigh evenly. Used as a color modifier since the eighteenth century for hues that read as neither overcommitted nor restrained. Balanced sage, balanced taupe: moderate saturation combined with optical equilibrium. Sits at the crisp-bucket center alongside even.

Column
modifier

Latin columna, column. As a color modifier, column implies a vertical-Doric-and-Ionic-and-Corinthian quality, the visual register of Greek-and-Roman-Column hand-cut Doric-Ionic-Corinthian fluted-and-capital classical-column architectural surfaces under Greek-and-Roman classical-column architectural light. Sits at the modifier-and-architecture end of the grid, parallel to pillar and plinth in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#27c1a7
Original
#b9b5a6
Protanopia
#a5a6a9
Deuteranopia
#00c4b9
Tritanopia
#9e9e9e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.26:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.27:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##27C1A7
Display P3
Display P3
color(display-p3 0.3677 0.7460 0.6582)
P3 has subtle headroomOKLCH chroma 0.127

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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