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Modest Road Verdigris

#278a5a
Notes

Modest Road Verdigris (#278A5A) is a true teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (151°, 56%, 35%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#278a5a
RGB
rgb(39, 138, 90)
HSL
hsl(151, 56%, 35%)
HWB
hwb(151 15% 46%)
OKLCH
oklch(56.5% 0.117 157.6)
P3
color(display-p3 0.2758 0.5335 0.3685)
HSV
hsv(151, 72%, 54%)
LAB
lab(51.09% -39.96 17.73)
LCH
lch(51.09% 43.72 156.07)
CMYK
cmyk(72%, 0%, 35%, 46%)

Etymology

Modest
adjective

Latin modestus, moderate — used as a color modifier since the sixteenth century for hues that read as understated and unwilling to claim more visual space than they need. Modest taupe, modest beige: moderate-to-low saturation combined with optical restraint. Sits at the crisp-and-quiet edge of the grid alongside quiet and plain.

Road
modifier

Old English rād, journey / way. As a color modifier, road implies a paved-thoroughfare-and-traffic quality, the visual register of Roman-Watling-Street-and-Fosse-Way hand-laid Roman-paved straight-line agricultural-and-urban road-bed surfaces under English-Roman-road open-country sky. Sits at the modifier-and-place end of the grid, parallel to lane and path in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#278a5a
Original
#897f57
Protanopia
#7c765d
Deuteranopia
#00897e
Tritanopia
#717171
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.31:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.87:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##278A5A
Display P3
Display P3
color(display-p3 0.2758 0.5335 0.3685)
P3 has subtle headroomOKLCH chroma 0.117

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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