Velvety Cygnus Royal

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Latin cygnus, swan. As a color modifier, cygnus implies a swan-flying-and-Northern-Cross quality, the visual register of Cygnus-Swan-and-Northern-Cross hand-swan-flying-and-Northern-Cross Cygnus-Swan-and-Northern-Cross-and-Bortle-1-sky cygnus-and-swan-flying-and-Northern-Cross surfaces under Cygnus-Swan-and-Northern-Cross-and-Bortle-1-sky August-and-September-late-summer-zenith Milky-Way-stellar-light. Sits at the modifier-and-cosmic end of the grid, parallel to deneb and lyra in usage.

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.