Neon Zen Jade
Neon Zen Jade (#26BB79) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (153°, 66%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Greek néon, new — element-name (atomic-number 10), discovered by William Ramsay in 1898. As a color modifier, neon implies a saturated-and-electric-glow quality, the bright color of Las-Vegas-and-Times-Square neon-marquee gas-discharge-tube emission. Sits at the bright-and-electric end of the grid, parallel to electric and fluorescent in usage.
Japanese 禅, Zen Buddhism. As a color modifier, zen implies a stripped-down-and-meditative-Mahayana quality, the visual register of Japanese-Sōtō-and-Rinzai-Zen Zen-Buddhist hand-laid rock-garden-and-tatami-and-shōji-screen meditation-hall surfaces under Sōtō-and-Rinzai-Zen Kyoto-temple-garden meditative quiet light. Sits at the modifier-and-cultural end of the grid, parallel to tao and sufi in usage.
Two minerals share the name: nephrite (a calcium-magnesium silicate, dominant in Chinese jade) and jadeite (a sodium-aluminum silicate, dominant in Burmese imperial jade). Both have been carved in China since at least the Neolithic. The color refers to high-quality apple-green jadeite: a saturated, slightly muted yellow-green with the waxy translucency of polished stone. Cooler than apple, warmer than mint, with the millennial cultural weight of yu, the stone of heaven.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.