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Stamped Grace Teal

#26ba9f
Notes

Stamped Grace Teal (#26BA9F) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (169°, 66%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#26ba9f
RGB
rgb(38, 186, 159)
HSL
hsl(169, 66%, 44%)
HWB
hwb(169 15% 27%)
OKLCH
oklch(70.9% 0.124 176.6)
P3
color(display-p3 0.3544 0.7189 0.6275)
HSV
hsv(169, 80%, 73%)
LAB
lab(68.04% -43.56 3.06)
LCH
lch(68.04% 43.66 175.98)
CMYK
cmyk(80%, 0%, 15%, 27%)

Etymology

Stamped
adjective

Old English stempan, to stamp — past-participle of stamp. As a color modifier, stamped implies a clear-and-impressed-and-repeating quality, the crisp color of William-Morris-and-Liberty-of-London block-printed-textile carefully-impressed pattern. Sits at the crisp-and-printed end of the grid, parallel to printed and engraved in usage.

Grace
modifier

Latin gratia, favor-or-thankfulness. As a color modifier, grace implies a flowing-and-elegant-and-blessed quality, the visual register of Botticelli-Three-Graces-and-Apollonian-grace hand-flowing-and-elegant-and-blessed Botticelli-Three-Graces-and-Apollonian-and-Renaissance-classical graced-and-flowing-and-elegant-and-blessed surfaces under Botticelli-Three-Graces-and-Apollonian-and-Renaissance-classical chiton-and-laurel-wreath-and-fountain Florentine-pavilion-light. Sits at the modifier-and-mood end of the grid, parallel to charm and bliss in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#26ba9f
Original
#b3ae9e
Protanopia
#a0a0a1
Deuteranopia
#00bdb2
Tritanopia
#999999
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.44:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.61:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##26BA9F
Display P3
Display P3
color(display-p3 0.3544 0.7189 0.6275)
P3 has subtle headroomOKLCH chroma 0.124

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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