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Glowing Wane Jade

#26b685
Notes

Glowing Wane Jade (#26B685) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (160°, 65%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#26b685
RGB
rgb(38, 182, 133)
HSL
hsl(160, 65%, 43%)
HWB
hwb(160 15% 29%)
OKLCH
oklch(69.2% 0.138 164.3)
P3
color(display-p3 0.3475 0.7034 0.5349)
HSV
hsv(160, 79%, 71%)
LAB
lab(66.18% -48.36 14.66)
LCH
lch(66.18% 50.53 163.14)
CMYK
cmyk(79%, 0%, 27%, 29%)

Etymology

Glowing
adjective

The progressive participle of glow, to emit light — used as a color word since the medieval period for hues that read as if they were luminous from within. Glowing amber, glowing rose: the implication is moderate saturation combined with the optical impression of internal light. Sits in the bright-bucket alongside radiant.

Wane
modifier

Old English wanian, to lessen. As a color modifier, wane implies a waning-moon-and-fading quality, the visual register of waning-moon-and-late-summer gradually-diminishing-and-receding waning-and-fading celestial-body-and-seasonal-light surfaces under waning-and-receding lunar-and-seasonal light. Sits at the modifier-and-time end of the grid, parallel to phase and eld in usage.

Jade
noun

Two minerals share the name: nephrite (a calcium-magnesium silicate, dominant in Chinese jade) and jadeite (a sodium-aluminum silicate, dominant in Burmese imperial jade). Both have been carved in China since at least the Neolithic. The color refers to high-quality apple-green jadeite: a saturated, slightly muted yellow-green with the waxy translucency of polished stone. Cooler than apple, warmer than mint, with the millennial cultural weight of yu, the stone of heaven.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#26b685
Original
#b2a882
Protanopia
#a19c88
Deuteranopia
#00b6a9
Tritanopia
#949494
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.59:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.11:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##26B685
Display P3
Display P3
color(display-p3 0.3475 0.7034 0.5349)
P3 has subtle headroomOKLCH chroma 0.138

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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