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Drafted Thoth Lagoon

#2594cd
Notes

Drafted Thoth Lagoon (#2594CD) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (200°, 69%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2594cd
RGB
rgb(37, 148, 205)
HSL
hsl(200, 69%, 47%)
HWB
hwb(200 15% 20%)
OKLCH
oklch(63.3% 0.127 237.2)
P3
color(display-p3 0.2887 0.5721 0.7843)
HSV
hsv(200, 82%, 80%)
LAB
lab(58.02% -10.34 -37.78)
LCH
lch(58.02% 39.17 254.70)
CMYK
cmyk(82%, 28%, 0%, 20%)

Etymology

Drafted
adjective

Old English draht, draft — past-participle of draft. As a color modifier, drafted implies a clear-and-line-and-measured quality, the crisp color of Mid-Century-Modern hand-drafted architectural-and-engineering studio-drawing precision-tool-rendered lines. Sits at the crisp-and-incised end of the grid, parallel to drawn and plotted in usage.

Thoth
modifier

Egyptian Djehuty, ibis-headed-god-of-writing. As a color modifier, thoth implies an ibis-headed-and-scribe-and-moon-god quality, the visual register of Egyptian-Thoth-and-Hermopolis-temple hand-ibis-headed-and-scribe-and-moon-god Egyptian-Thoth-and-Hermopolis-temple-and-Hermes-Trismegistus thoth-and-ibis-headed-and-scribe-and-moon-god surfaces under Egyptian-Thoth-and-Hermopolis-temple-and-Hermes-Trismegistus papyrus-and-reed-pen-and-Hermopolis ibis-scribe-light. Sits at the modifier-and-myth end of the grid, parallel to isis and horus in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2594cd
Original
#7894d0
Protanopia
#6285cc
Deuteranopia
#00a3a8
Tritanopia
#818181
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.39:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.20:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2594CD
Display P3
Display P3
color(display-p3 0.2887 0.5721 0.7843)
P3 has subtle headroomOKLCH chroma 0.127

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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