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Tucked Seth Teal

#257c7a
Notes

Tucked Seth Teal (#257C7A) is a deep cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (179°, 54%, 32%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#257c7a
RGB
rgb(37, 124, 122)
HSL
hsl(179, 54%, 32%)
HWB
hwb(179 15% 51%)
OKLCH
oklch(53.6% 0.080 192.8)
P3
color(display-p3 0.2503 0.4794 0.4756)
HSV
hsv(179, 70%, 49%)
LAB
lab(47.25% -25.47 -6.37)
LCH
lch(47.25% 26.25 194.05)
CMYK
cmyk(70%, 0%, 2%, 51%)

Etymology

Tucked
adjective

Old English tūcian, to torment / pull — past-participle of tuck. As a color modifier, tucked implies a clear-and-fitted-and-arranged quality where the hue carries the visual register of carefully-tucked-and-neatly-fitted shirt-into-trouser dress-attire. Sits at the crisp-and-finished end of the grid, parallel to trim and pressed in usage.

Seth
modifier

Egyptian Set, god-of-storms-and-desert-chaos. As a color modifier, seth implies a desert-storm-and-chaos-god quality, the visual register of Egyptian-Seth-and-Ombos-temple hand-desert-storm-and-chaos-god Egyptian-Seth-and-Ombos-temple-and-Osirian-conflict seth-and-desert-storm-and-chaos-god surfaces under Egyptian-Seth-and-Ombos-temple-and-Osirian-conflict Western-Desert-and-storm-cloud red-desert-storm-light. Sits at the modifier-and-myth end of the grid, parallel to horus and ptah in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#257c7a
Original
#74767a
Protanopia
#676c7b
Deuteranopia
#00807b
Tritanopia
#696969
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.95:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.24:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##257C7A
Display P3
Display P3
color(display-p3 0.2503 0.4794 0.4756)
P3 has subtle headroomOKLCH chroma 0.080

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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