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Wholesome Sleet Moss

#256c4f
Notes

Wholesome Sleet Moss (#256C4F) is a deep teal with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (155°, 49%, 28%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#256c4f
RGB
rgb(37, 108, 79)
HSL
hsl(155, 49%, 28%)
HWB
hwb(155 15% 58%)
OKLCH
oklch(47.8% 0.085 162.9)
P3
color(display-p3 0.2261 0.4177 0.3178)
HSV
hsv(155, 66%, 42%)
LAB
lab(40.71% -29.62 9.84)
LCH
lch(40.71% 31.21 161.63)
CMYK
cmyk(66%, 0%, 27%, 58%)

Etymology

Wholesome
adjective

An adjectival form of whole — used as a color modifier since the sixteenth century for hues that read as healthy and unadulterated. Wholesome cream, wholesome wheat: moderate saturation combined with the optical impression of a natural origin. Sits at the crisp-bucket alongside genuine.

Sleet
modifier

Middle English slete, icy-rain-or-snow-rain-mix. As a color modifier, sleet implies an icy-rain-and-half-frozen-and-driven quality, the visual register of North-Sea-and-Yorkshire-Moors-sleet hand-icy-rain-and-half-frozen-and-driven North-Sea-and-Yorkshire-Moors-sleet-and-Pennine-pass sleet-and-icy-rain-and-half-frozen surfaces under North-Sea-and-Yorkshire-Moors-sleet-and-Pennine-pass Yorkshire-Moors-and-Pennine-Way-and-Cleveland-Hills North-Sea-front-light. Sits at the modifier-and-weather end of the grid, parallel to hail and rime in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#256c4f
Original
#6a644d
Protanopia
#605d51
Deuteranopia
#006c64
Tritanopia
#5b5b5b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.29:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.34:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##256C4F
Display P3
Display P3
color(display-p3 0.2261 0.4177 0.3178)
P3 has subtle headroomOKLCH chroma 0.085

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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