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Squared Port Verdigris

#255b38
Notes

Squared Port Verdigris (#255B38) is a deep green with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (141°, 42%, 25%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#255b38
RGB
rgb(37, 91, 56)
HSL
hsl(141, 42%, 25%)
HWB
hwb(141 15% 64%)
OKLCH
oklch(42.4% 0.082 152.8)
P3
color(display-p3 0.2022 0.3521 0.2318)
HSV
hsv(141, 59%, 36%)
LAB
lab(34.32% -26.85 14.94)
LCH
lch(34.32% 30.73 150.91)
CMYK
cmyk(59%, 0%, 38%, 64%)

Etymology

Squared
adjective

Latin quadrātus, four-sided — past-participle of square. As a color modifier, squared implies a clear-and-rectilinear-and-orthogonal quality where the hue carries the visual register of right-angle architectural-and-grid alignment. Sits at the crisp-and-balanced end of the grid, parallel to aligned and plumb in usage.

Port
modifier

Latin portus, harbor. As a color modifier, port implies a maritime-trading-city quality, the visual register of Lisbon-and-Marseille Mediterranean-Atlantic trading-port hand-built mediterranean-and-atlantic harbor surfaces under Iberian-and-Mediterranean afternoon harbor-city light. Sits at the modifier-and-place end of the grid, parallel to quay and dock in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#255b38
Original
#5b5436
Protanopia
#544f3a
Deuteranopia
#165a52
Tritanopia
#4d4d4d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.98:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.63:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##255B38
Display P3
Display P3
color(display-p3 0.2022 0.3521 0.2318)
P3 has subtle headroomOKLCH chroma 0.082

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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