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Sable Cobalt

#253f8a
Notes

Sable Cobalt (#253F8A) is a deep blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (225°, 58%, 34%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#253f8a
RGB
rgb(37, 63, 138)
HSL
hsl(225, 58%, 34%)
HWB
hwb(225 15% 46%)
OKLCH
oklch(39.3% 0.129 266.1)
P3
color(display-p3 0.1682 0.2444 0.5224)
HSV
hsv(225, 73%, 54%)
LAB
lab(28.86% 17.49 -44.77)
LCH
lch(28.86% 48.06 291.34)
CMYK
cmyk(73%, 54%, 0%, 46%)

Etymology

Sable
noun

Martes zibellina, the Eurasian sable — a small mustelid of Siberian taiga whose deep brown-black fur was the most prized mammalian pelt of the Russian and Chinese imperial courts. The color refers to a fresh sable pelt: a deep, slightly warm near-black with the satin finish of densely packed guard hairs. Warmer than ink, glossier than coal, with the courtly weight of a fur reserved for tsars and emperors.

Cobalt
noun

Element Co, atomic number 27 — German Kobold, goblin, named by miners who found the metal interfered with smelting silver ore. Cobalt blue is the cobalt-aluminate pigment introduced by Louis Jacques Thénard in 1802: a saturated, slightly green-shifted deep blue with the matte finish of mineral pigment in oil. Cooler than ultramarine, warmer than prussian, with the painter's weight of a pigment used by Renoir, Van Gogh, and Cézanne.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#253f8a
Original
#0a498d
Protanopia
#004088
Deuteranopia
#00515e
Tritanopia
#3f3f3f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
9.74:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.16:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##253F8A
Display P3
Display P3
color(display-p3 0.1682 0.2444 0.5224)
P3 has subtle headroomOKLCH chroma 0.129

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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