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Friendly Ainezumi

#250b1a
Notes

Friendly Ainezumi (#250B1A) is a deep magenta with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (325°, 54%, 9%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#250b1a
RGB
rgb(37, 11, 26)
HSL
hsl(325, 54%, 9%)
HWB
hwb(325 4% 85%)
OKLCH
oklch(19.8% 0.050 346.9)
P3
color(display-p3 0.1324 0.0490 0.0996)
HSV
hsv(325, 70%, 15%)
LAB
lab(6.39% 15.52 -4.07)
LCH
lch(6.39% 16.05 345.32)
CMYK
cmyk(0%, 70%, 30%, 85%)

Etymology

Friendly
adjective

Old English frēondlīc, friend-like — adjectival suffix -ly. As a color modifier, friendly implies a neutral-and-welcoming-and-approachable quality, the neutral color of American-Country-and-English-Cottage friendly-and-welcoming-hosting interior-decoration-and-textile coordinated-color tone. Sits at the neutral-and-friendly end of the grid, parallel to amiable and cordial in usage.

Ainezumi
noun

Japanese 藍鼠, indigo-mouse — a mid-Edo-period color name for the deep-blue-gray of aizome (indigo)-overdyed cotton, typical of tsumugi casual kimono. Ainezumi color refers to a tsumugi-period-cotton ainezumi-overdyed everyday-kimono: a dark blue-gray with the matte finish of multi-bath aizome-and-iron-mordant overdye on hand-spun Ojiya tsumugi cotton.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#250b1a
Original
#0e111a
Protanopia
#151619
Deuteranopia
#280b11
Tritanopia
#121212
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
18.40:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.14:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##250B1A
Display P3
Display P3
color(display-p3 0.1324 0.0490 0.0996)
Inside sRGBOKLCH chroma 0.050

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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