Scorching Faun Turquoise

Old English scorcnian, to dry up — present-participle of scorch. As a color modifier, scorching implies a saturated-and-burning-hot quality, the bright color of Mojave-Desert-and-Death-Valley mid-afternoon high-temperature surface-emission. Sits at the bright-and-warm end of the grid, parallel to searing and sizzling in usage.

Latin Faunus, Roman-half-goat-rural-deity. As a color modifier, faun implies a half-goat-and-pastoral-and-Arcadian quality, the visual register of Roman-Faunus-and-Arcadian-pastoral-faun hand-half-goat-and-pastoral-and-Arcadian Roman-Faunus-and-Arcadian-pastoral-faun-and-Pan faun-and-half-goat-and-pastoral-and-Arcadian surfaces under Roman-Faunus-and-Arcadian-pastoral-faun-and-Pan Lupercalia-and-Arcadia-and-pipes-of-Pan pastoral-Arcadian-light. Sits at the modifier-and-myth end of the grid, parallel to satyr and dryad in usage.

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.