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Salubrious Balm Verdigris

#24b7ba
Notes

Salubrious Balm Verdigris (#24B7BA) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (181°, 68%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#24b7ba
RGB
rgb(36, 183, 186)
HSL
hsl(181, 68%, 44%)
HWB
hwb(181 14% 27%)
OKLCH
oklch(71.0% 0.114 197.1)
P3
color(display-p3 0.3468 0.7073 0.7232)
HSV
hsv(181, 81%, 73%)
LAB
lab(67.86% -34.75 -12.08)
LCH
lch(67.86% 36.79 199.18)
CMYK
cmyk(81%, 2%, 0%, 27%)

Etymology

Salubrious
adjective

Latin salūbris, healthful — adjectival suffix -ous. As a color modifier, salubrious implies a clear-and-healthful-and-fresh quality, the crisp color of Alpine-and-Sea-air health-resort and Mediterranean-coast spa-and-thalassotherapy outdoor environment. Sits at the crisp-and-wholesome end of the grid, parallel to healthful and bracing in usage.

Balm
modifier

Latin balsamum, aromatic-resin-and-soothing-oil. As a color modifier, balm implies an aromatic-resin-and-soothing-oil-and-lemon-balm quality, the visual register of apothecary-balm-and-lemon-balm hand-aromatic-resin-and-soothing-oil-and-lemon-balm apothecary-balm-and-lemon-balm-and-Tudor-still-room balm-and-aromatic-resin-and-soothing-oil surfaces under apothecary-balm-and-lemon-balm-and-Tudor-still-room Tudor-still-room-and-monastic-physic-garden apothecary-and-still-room-light. Sits at the modifier-and-flavor end of the grid, parallel to bergamot and hyssop in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#24b7ba
Original
#aaaeba
Protanopia
#959fbb
Deuteranopia
#00bdb8
Tritanopia
#989898
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.45:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.56:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##24B7BA
Display P3
Display P3
color(display-p3 0.3468 0.7073 0.7232)
P3 has subtle headroomOKLCH chroma 0.114

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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