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Peaceful Knot Verdigris

#249d8b
Notes

Peaceful Knot Verdigris (#249D8B) is a true teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (171°, 63%, 38%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#249d8b
RGB
rgb(36, 157, 139)
HSL
hsl(171, 63%, 38%)
HWB
hwb(171 14% 38%)
OKLCH
oklch(62.8% 0.105 180.1)
P3
color(display-p3 0.3023 0.6068 0.5467)
HSV
hsv(171, 77%, 62%)
LAB
lab(58.37% -36.42 0.15)
LCH
lch(58.37% 36.42 179.76)
CMYK
cmyk(77%, 0%, 11%, 38%)

Etymology

Peaceful
adjective

Latin pāx, peace — adjectival suffix -ful. As a color modifier, peaceful implies a clear-and-restful-and-calm quality where the hue carries the visual register of Quaker-meeting-house still-and-meditative interior atmosphere. Sits at the crisp-and-calm end of the grid, parallel to serene and placid in usage.

Knot
modifier

Old English cnotta, knot. As a color modifier, knot implies a sailor's-rope-knot quality, the visual register of Royal-Navy-and-merchant-marine-knot hand-tied sailor's-rope-and-line bowline-and-figure-eight-and-clove-hitch maritime-rigging surfaces under tall-ship-and-frigate sailor's-knot-and-line working light. Sits at the modifier-and-nautical end of the grid, parallel to sheet and spar in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#249d8b
Original
#96938a
Protanopia
#86878d
Deuteranopia
#00a097
Tritanopia
#828282
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.27:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##249D8B
Display P3
Display P3
color(display-p3 0.3023 0.6068 0.5467)
P3 has subtle headroomOKLCH chroma 0.105

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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