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Sumptuous Sumer Forest

#249434
Notes

Sumptuous Sumer Forest (#249434) is a true green with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (129°, 61%, 36%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#249434
RGB
rgb(36, 148, 52)
HSL
hsl(129, 61%, 36%)
HWB
hwb(129 14% 42%)
OKLCH
oklch(58.5% 0.166 145.0)
P3
color(display-p3 0.2873 0.5721 0.2553)
HSV
hsv(129, 76%, 58%)
LAB
lab(53.82% -50.54 40.92)
LCH
lch(53.82% 65.03 141.01)
CMYK
cmyk(76%, 0%, 65%, 42%)

Etymology

Sumptuous
adjective

Latin sūmptuōsus, expensive — derived from sūmptus (expense). As a color modifier, sumptuous implies a saturated-and-rich-and-luxurious quality, the deep-rich color of Burgundy-and-Champagne-Court late-medieval silk-and-velvet livery in the Très-Riches-Heures manuscript tradition. Sits at the bold-and-saturated end of the grid, parallel to opulent and lavish.

Sumer
modifier

Akkadian Šumeru, Sumer. As a color modifier, sumer implies an ancient-Mesopotamian-and-cuneiform quality, the visual register of Sumerian-Ur-and-Uruk hand-built ziggurat-and-cuneiform-tablet bronze-age Mesopotamian city-state surfaces under Sumerian-Mesopotamian Ur-and-Uruk bronze-age city-state sun-baked-mud-brick light. Sits at the modifier-and-cultural end of the grid, parallel to akkad and median in usage.

Forest
noun

The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#249434
Original
#978629
Protanopia
#8a7d3c
Deuteranopia
#009080
Tritanopia
#757575
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.92:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.36:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##249434
Display P3
Display P3
color(display-p3 0.2873 0.5721 0.2553)
P3 has subtle headroomOKLCH chroma 0.166

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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