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Heavy Prism Forest

#24811b
Notes

Heavy Prism Forest (#24811B) is a deep green with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (115°, 65%, 31%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#24811b
RGB
rgb(36, 129, 27)
HSL
hsl(115, 65%, 31%)
HWB
hwb(115 11% 49%)
OKLCH
oklch(52.9% 0.160 141.9)
P3
color(display-p3 0.2564 0.4987 0.1762)
HSV
hsv(115, 79%, 51%)
LAB
lab(47.18% -46.33 44.19)
LCH
lch(47.18% 64.02 136.35)
CMYK
cmyk(72%, 0%, 79%, 49%)

Etymology

Heavy
adjective

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Prism
modifier

Greek πρῖσμα, something-sawn. As a color modifier, prism implies a Newtonian-rainbow-and-spectrum-splitting quality, the visual register of Newton-Optics-and-Cambridge-prism hand-Newtonian-rainbow-and-spectrum-splitting Newton-Optics-and-Cambridge-and-Trinity-College-prism prism-and-Newtonian-rainbow-and-spectrum-splitting surfaces under Newton-Optics-and-Cambridge-and-Trinity-College-prism 17th-century-natural-philosophy-and-rainbow-experiment spectrum-light. Sits at the modifier-and-cosmic end of the grid, parallel to corona and plasma in usage.

Forest
noun

The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#24811b
Original
#847403
Protanopia
#7a6d27
Deuteranopia
#0b7d6e
Tritanopia
#666666
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.96:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.23:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##24811B
Display P3
Display P3
color(display-p3 0.2564 0.4987 0.1762)
P3 has subtle headroomOKLCH chroma 0.160

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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