Saturated Cape Ultramarine

From the Latin saturatus, past participle of saturare, to fill. A technical color term in modern usage — saturation is one of the three axes of HSL (with hue and lightness). As a modifier, saturated implies that the hue is at or near its maximum chromatic intensity. Sits at the bold-and-bright top of the grid.

Latin cappa, hooded-cloak. As a color modifier, cape implies a hooded-cloak-and-shoulder-cape quality, the visual register of Spanish-capa-and-Italian-cappa-magna hand-hooded-cloak-and-shoulder-cape Spanish-capa-and-Italian-cappa-magna-and-Portuguese-capa cape-and-hooded-cloak-and-shoulder-cape surfaces under Spanish-capa-and-Italian-cappa-magna-and-Portuguese-capa Iberian-and-Italian-Renaissance Iberian-cape-light. Sits at the modifier-and-textile end of the grid, parallel to cloak and cope in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.