Hot Pond Eucalyptus
Hot Pond Eucalyptus (#23F5CE) is a true teal with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (169°, 91%, 55%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English hāt, of high temperature — applied metaphorically to color since the eighteenth century for warm hues at high saturation. Hot pink, hot red: the implication is luminous intensity combined with thermal warmth. Sits in the bright-and-warm corner of the grid, alongside burning and vivid.
Old English pond, enclosed pool of water. As a color modifier, pond implies a small-and-still-water quality, the visual register of village-green-and-farmyard duckweed-and-lily-pad-covered still-water small-pool reflective surfaces in rural English-cottage afternoon-light. Sits at the modifier-and-place end of the grid, parallel to mere and pool in usage.
The genus Eucalyptus, the gum trees that dominate the Australian forest canopy and have been planted across the world for fast-growth timber and the menthol-camphor oil. The color refers to mature eucalyptus leaves with their pale waxy bloom: a soft, slightly muted blue-green with the matte finish of cuticle that reflects more light than typical foliage. Cooler than sage, warmer than mint.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.