Pleasant Gold Topaz

From the French plaisant, pleasing — used as a color modifier since the fifteenth century for hues that read as agreeable, the kind of color that wears well over a long viewing without becoming demanding or fatiguing. Pleasant green, pleasant rose: moderate saturation combined with optical comfort. Sits at the crisp-bucket alongside easy and calm.

Old English gold, gold. As a color modifier, gold implies a precious-malleable-metal quality, the visual register of hand-beaten-and-rolled-gold hand-beaten-gold-leaf-and-coin-and-bar Egyptian-and-Italian-Renaissance hand-beaten-gold-leaf surfaces under Egyptian-and-Renaissance hand-beaten-gold-leaf treasury-light. Sits at the modifier-and-texture end of the grid, parallel to gilt and gloss in usage.

A fluorine aluminum silicate gem, hardness 8 on the Mohs scale, mined for centuries in Ouro Preto, Brazil. Imperial topaz is the prized variety: a warm, slightly pink-shifted gold-orange with the high refractive index of a quality cut stone. Cooler than amber, brighter than honey, with the gem's signature internal fire when held to light. Named for the island of Topazos in the Red Sea, though that source produced peridot instead.