Open Scorpio Verdigris

Old English open, unobstructed — used as a color modifier since the eighteenth century for hues that read as airy or uncrowded. Open blue, open green: moderate saturation combined with optical spaciousness, the slight visual breath of a hue that doesn't crowd the surface it covers. Sits at the crisp-bucket center alongside clear.

Latin scorpio, scorpion-of-the-zodiac. As a color modifier, scorpio implies a scorpion-and-water-sign-and-Mars-Pluto-ruled-fixed-water quality, the visual register of Hellenic-Scorpio-and-Orion-myth-scorpion hand-scorpion-and-water-sign-and-Mars-Pluto-ruled-fixed-water Hellenic-Scorpio-and-Orion-myth-scorpion-and-Antares scorpio-and-scorpion-and-water-sign surfaces under Hellenic-Scorpio-and-Orion-myth-scorpion-and-Antares mid-autumn-and-October-and-November fixed-water-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to libra and sagittarius in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.