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Devout Carved Forest

#239234
Notes

Devout Carved Forest (#239234) is a true green with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (129°, 61%, 35%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#239234
RGB
rgb(35, 146, 52)
HSL
hsl(129, 61%, 35%)
HWB
hwb(129 14% 43%)
OKLCH
oklch(57.9% 0.164 145.2)
P3
color(display-p3 0.2825 0.5643 0.2537)
HSV
hsv(129, 76%, 57%)
LAB
lab(53.13% -50.01 40.14)
LCH
lch(53.13% 64.12 141.25)
CMYK
cmyk(76%, 0%, 64%, 43%)

Etymology

Devout
adjective

From the Latin devotus, consecrated — used principally in religious contexts for the dignified deep colors of sacred art and ecclesiastical dress. As a color modifier, devout implies saturation combined with restraint: the deep blues of Marian mantles, the deep reds of cardinals' robes. Sits in the bold-and-formal corner alongside imperial.

Carved
modifier

Old English ceorfan, to-cut. As a color modifier, carved implies a hand-cut-and-shaped quality, the visual register of Romanesque-and-Gothic-stone-carving hand-cut-and-shaped stone-and-wood-and-ivory hand-carved-and-relief carved-and-shaped surfaces under Romanesque-and-Gothic hand-carved-stone-and-wood workshop-light. Sits at the modifier-and-texture end of the grid, parallel to hewn and limned in usage.

Forest
noun

The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#239234
Original
#948429
Protanopia
#887b3c
Deuteranopia
#008e7e
Tritanopia
#747474
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.01:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.23:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##239234
Display P3
Display P3
color(display-p3 0.2825 0.5643 0.2537)
P3 has subtle headroomOKLCH chroma 0.164

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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