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Booming Lintel Forest

#238d1a
Notes

Booming Lintel Forest (#238D1A) is a deep green with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (115°, 69%, 33%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#238d1a
RGB
rgb(35, 141, 26)
HSL
hsl(115, 69%, 33%)
HWB
hwb(115 10% 45%)
OKLCH
oklch(56.3% 0.175 142.0)
P3
color(display-p3 0.2742 0.5450 0.1862)
HSV
hsv(115, 82%, 55%)
LAB
lab(51.24% -50.67 48.42)
LCH
lch(51.24% 70.09 136.30)
CMYK
cmyk(75%, 0%, 82%, 45%)

Etymology

Booming
adjective

Imitative-onomatopoeic origin — present-participle of boom, sharing root with Dutch bommen. As a color modifier, booming implies a saturated-and-loud-and-confident quality where the hue announces itself with full visual amplitude. Sits at the bold-and-resonant end of the grid, parallel to resounding and thunderous.

Lintel
modifier

Old English lyn-trigan, threshold-beam. As a color modifier, lintel implies a horizontal-load-bearing-beam-above-door quality, the visual register of Stonehenge-and-medieval-stone-lintel hand-cut horizontal-load-bearing stone-and-timber lintel-above-door architectural surfaces under medieval-stone-and-timber lintel-above-door light. Sits at the modifier-and-architecture end of the grid, parallel to sill and truss in usage.

Forest
noun

The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#238d1a
Original
#907f00
Protanopia
#857728
Deuteranopia
#008878
Tritanopia
#6e6e6e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.29:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.90:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##238D1A
Display P3
Display P3
color(display-p3 0.2742 0.5450 0.1862)
P3 has subtle headroomOKLCH chroma 0.175

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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