colors
Back to gallery

Phosphorescent Frock Turquoise

#22e9d8
Notes

Phosphorescent Frock Turquoise (#22E9D8) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (175°, 82%, 52%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#22e9d8
RGB
rgb(34, 233, 216)
HSL
hsl(175, 82%, 52%)
HWB
hwb(175 13% 9%)
OKLCH
oklch(84.2% 0.144 185.3)
P3
color(display-p3 0.4338 0.9005 0.8459)
HSV
hsv(175, 85%, 91%)
LAB
lab(83.74% -48.52 -4.66)
LCH
lch(83.74% 48.74 185.49)
CMYK
cmyk(85%, 0%, 7%, 9%)

Etymology

Phosphorescent
adjective

Greek phōsphóros, light-bringer — adjectival suffix -escent. As a color modifier, phosphorescent implies a saturated-and-cool-glow-after-stimulation quality, the bright cool-green-blue color of Cu-doped-ZnS glow-in-the-dark photoluminescent surfaces. Sits at the bright-and-cool end of the grid, parallel to fluorescent and luminous in usage.

Frock
modifier

Old French froc, monk's-habit-or-loose-garment. As a color modifier, frock implies a monk's-habit-and-pinafore-and-day-frock quality, the visual register of Benedictine-monk's-frock-and-Edwardian-day-frock hand-monk's-habit-and-pinafore-and-day-frock Benedictine-monk's-frock-and-Edwardian-day-frock-and-pinafore frock-and-monk's-habit-and-pinafore surfaces under Benedictine-monk's-frock-and-Edwardian-day-frock-and-pinafore Cluny-Abbey-and-Edwardian-tea-room habit-and-day-dress-light. Sits at the modifier-and-textile end of the grid, parallel to gown and cope in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#22e9d8
Original
#dddbd8
Protanopia
#c4c9da
Deuteranopia
#00eee4
Tritanopia
#bdbdbd
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.53:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
13.72:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##22E9D8
Display P3
Display P3
color(display-p3 0.4338 0.9005 0.8459)
P3 has subtle headroomOKLCH chroma 0.144

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas