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Tidy Hoar Lagoon

#22bddd
Notes

Tidy Hoar Lagoon (#22BDDD) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (190°, 73%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#22bddd
RGB
rgb(34, 189, 221)
HSL
hsl(190, 73%, 50%)
HWB
hwb(190 13% 13%)
OKLCH
oklch(73.8% 0.126 216.5)
P3
color(display-p3 0.3550 0.7304 0.8518)
HSV
hsv(190, 85%, 87%)
LAB
lab(70.84% -26.82 -26.76)
LCH
lch(70.84% 37.88 224.94)
CMYK
cmyk(85%, 14%, 0%, 13%)

Etymology

Tidy
adjective

Old English tidig, timely — drifted in modern English to mean neat, orderly. Used as a color modifier for hues that read as composed and unfussy. Tidy beige, tidy gray: moderate saturation combined with optical neatness. Sits at the crisp-bucket alongside plain and modest.

Hoar
modifier

Old English hār, grey-with-age-or-hoar-frost. As a color modifier, hoar implies a grey-aged-and-hoar-frosted quality, the visual register of English-meadow-and-hedgerow-hoar hand-grey-aged-and-hoar-frosted English-meadow-and-hedgerow-hoar-and-frosted-pasture hoar-and-grey-aged-and-hoar-frosted surfaces under English-meadow-and-hedgerow-hoar-and-frosted-pasture Cotswold-and-Yorkshire-Dales-frost-pasture frosted-meadow-light. Sits at the modifier-and-weather end of the grid, parallel to rime and sleet in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#22bddd
Original
#a8b7df
Protanopia
#90a6dd
Deuteranopia
#00c8c7
Tritanopia
#9e9e9e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.24:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.39:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##22BDDD
Display P3
Display P3
color(display-p3 0.3550 0.7304 0.8518)
P3 has subtle headroomOKLCH chroma 0.126

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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