Printed Helen Verdigris

Latin premere, to press — past-participle of print. As a color modifier, printed implies a clear-and-impressed-and-multiplied quality, the crisp color of Marimekko-and-Liberty-of-London hand-or-machine-printed textile-and-paper pattern-design. Sits at the crisp-and-printed end of the grid, parallel to stamped and etched in usage.

Greek Ἑλένη, Helen-of-Troy. As a color modifier, helen implies a Helen-of-Troy-and-fairest-face quality, the visual register of Helen-of-Troy-and-Tyndareus-Sparta hand-Helen-of-Troy-and-fairest-face Helen-of-Troy-and-Tyndareus-Sparta-and-Iliad-Homeric helen-and-Helen-of-Troy-and-fairest-face surfaces under Helen-of-Troy-and-Tyndareus-Sparta-and-Iliad-Homeric Mycenaean-and-Trojan Bronze-Age-Aegean-light. Sits at the modifier-and-myth end of the grid, parallel to eros and hera in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.