Symmetrical Saint Verdigris

Greek symmetría, due-proportion — adjectival suffix -al, derived from sym-metron (with-measure). As a color modifier, symmetrical implies a clear-and-balanced-and-mirrored quality where the hue carries the visual register of bilateral-or-radial proportional symmetry. Sits at the crisp-and-balanced end of the grid, parallel to balanced and aligned in usage.

Latin sanctus, holy. As a color modifier, saint implies a hagiographic-and-relic quality, the visual register of Greek-Orthodox-and-Roman-Catholic-Saint hand-painted icon-and-relic-and-halo-and-iconostasis hagiographic surfaces under Greek-Orthodox-and-Roman-Catholic hand-painted icon-and-iconostasis hagiographic-tradition candlelight. Sits at the modifier-and-cultural end of the grid, parallel to monk and friar in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.