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Straightforward Sleet Lagoon

#21adcf
Notes

Straightforward Sleet Lagoon (#21ADCF) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (192°, 73%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#21adcf
RGB
rgb(33, 173, 207)
HSL
hsl(192, 73%, 47%)
HWB
hwb(192 13% 19%)
OKLCH
oklch(69.3% 0.120 219.6)
P3
color(display-p3 0.3259 0.6686 0.7969)
HSV
hsv(192, 84%, 81%)
LAB
lab(65.52% -23.41 -27.24)
LCH
lch(65.52% 35.92 229.33)
CMYK
cmyk(84%, 16%, 0%, 19%)

Etymology

Straightforward
adjective

English compound straight + forward — sharing root with German geradeaus. As a color modifier, straightforward implies a clear-and-direct-and-unencumbered quality where the hue carries the visual register of clear-aim-and-uncomplicated character. Sits at the crisp-and-honest end of the grid, parallel to candid and direct in usage.

Sleet
modifier

Middle English slete, icy-rain-or-snow-rain-mix. As a color modifier, sleet implies an icy-rain-and-half-frozen-and-driven quality, the visual register of North-Sea-and-Yorkshire-Moors-sleet hand-icy-rain-and-half-frozen-and-driven North-Sea-and-Yorkshire-Moors-sleet-and-Pennine-pass sleet-and-icy-rain-and-half-frozen surfaces under North-Sea-and-Yorkshire-Moors-sleet-and-Pennine-pass Yorkshire-Moors-and-Pennine-Way-and-Cleveland-Hills North-Sea-front-light. Sits at the modifier-and-weather end of the grid, parallel to hail and rime in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#21adcf
Original
#98a8d1
Protanopia
#8298cf
Deuteranopia
#00b8b8
Tritanopia
#929292
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.64:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.94:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##21ADCF
Display P3
Display P3
color(display-p3 0.3259 0.6686 0.7969)
P3 has subtle headroomOKLCH chroma 0.120

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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