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Trim Tunic Sky

#215a8a
Notes

Trim Tunic Sky (#215A8A) is a deep azure with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (207°, 61%, 34%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#215a8a
RGB
rgb(33, 90, 138)
HSL
hsl(207, 61%, 34%)
HWB
hwb(207 13% 46%)
OKLCH
oklch(45.5% 0.098 247.6)
P3
color(display-p3 0.1920 0.3481 0.5262)
HSV
hsv(207, 76%, 54%)
LAB
lab(36.87% -1.12 -31.96)
LCH
lch(36.87% 31.98 268.00)
CMYK
cmyk(76%, 35%, 0%, 46%)

Etymology

Trim
adjective

Old English trymman, to make firm — sharing root with firm. As a color modifier, trim implies a clear-and-neatly-arranged quality where the hue carries the visual register of carefully-edited surface-detail. Sits at the crisp-and-neat end of the grid, parallel to neat and tidy in usage.

Tunic
modifier

Latin tunica, Roman-undergarment. As a color modifier, tunic implies a Roman-tunic-and-medieval-undergarment quality, the visual register of Roman-tunic-and-medieval-bliaut hand-Roman-tunic-and-medieval-undergarment Roman-tunic-and-medieval-bliaut-and-Carolingian-court tunic-and-Roman-tunic-and-medieval-undergarment surfaces under Roman-tunic-and-medieval-bliaut-and-Carolingian-court Republican-and-Carolingian-Aachen Roman-and-medieval-light. Sits at the modifier-and-textile end of the grid, parallel to chiton and peplos in usage.

Sky
noun

The blue of a clear sky at noon — produced by Rayleigh scattering, the preferential dispersion of shorter wavelengths through atmospheric molecules. Air itself is colorless; the color we see is sunlight scattered toward our eyes by every cubic kilometer above. The reference shade is mid-latitude noon under a high pressure system: a clean, slightly green-shifted blue with the luminous depth of light scattered across an entire hemisphere of air.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#215a8a
Original
#445c8c
Protanopia
#355289
Deuteranopia
#00656b
Tritanopia
#515151
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.26:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.89:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##215A8A
Display P3
Display P3
color(display-p3 0.1920 0.3481 0.5262)
P3 has subtle headroomOKLCH chroma 0.098

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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