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Saturnine Yard Ultramarine

#213b9d
Notes

Saturnine Yard Ultramarine (#213B9D) is a true blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (227°, 65%, 37%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#213b9d
RGB
rgb(33, 59, 157)
HSL
hsl(227, 65%, 37%)
HWB
hwb(227 13% 38%)
OKLCH
oklch(39.9% 0.162 267.0)
P3
color(display-p3 0.1529 0.2288 0.5930)
HSV
hsv(227, 79%, 62%)
LAB
lab(29.12% 27.12 -55.99)
LCH
lch(29.12% 62.22 295.85)
CMYK
cmyk(79%, 62%, 0%, 38%)

Etymology

Saturnine
adjective

Latin Sāturnīnus, of Saturn — referring to the gloomy temperament associated with the planet Saturn in classical-and-Renaissance astrology. As a color modifier, saturnine implies a deep-and-cool-and-gloomy quality, the dark cool-gray of Hellebore-and-Lead alchemical-melancholic associations. Sits at the deep-and-cool end of the grid, parallel to sullen and gloomy.

Yard
modifier

Old English geard, enclosed-space. As a color modifier, yard implies a working-courtyard quality, the visual register of farmyard-and-shipyard hand-built stone-and-cobbled enclosed-and-fenced working-and-livestock surfaces under English-rural farmyard-and-shipyard working-day light. Sits at the modifier-and-place end of the grid, parallel to court and plot in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#213b9d
Original
#004ba0
Protanopia
#003f9b
Deuteranopia
#005466
Tritanopia
#3d3d3d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
9.65:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.18:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##213B9D
Display P3
Display P3
color(display-p3 0.1529 0.2288 0.5930)
P3 has subtle headroomOKLCH chroma 0.162

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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