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Plumbed Axis Ultramarine

#212b5a
Notes

Plumbed Axis Ultramarine (#212B5A) is a deep blue with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (229°, 46%, 24%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#212b5a
RGB
rgb(33, 43, 90)
HSL
hsl(229, 46%, 24%)
HWB
hwb(229 13% 65%)
OKLCH
oklch(30.8% 0.085 271.6)
P3
color(display-p3 0.1372 0.1675 0.3408)
HSV
hsv(229, 63%, 35%)
LAB
lab(19.18% 12.07 -29.68)
LCH
lch(19.18% 32.05 292.14)
CMYK
cmyk(63%, 52%, 0%, 65%)

Etymology

Plumbed
adjective

Latin plumbum, lead — past-participle of plumb (to measure depth with a lead-weighted line). As a color modifier, plumbed implies a deep-and-cool quality measured-to-its-fullest-depth, the dark cool-gray of lead-and-pewter metallic surfaces. Sits at the deep-and-cool end of the grid, parallel to fathomless with metallic register.

Axis
modifier

Latin axis, axle-or-pivot. As a color modifier, axis implies a rotational-pole-and-polar-spin quality, the visual register of Earth-axial-tilt-and-Polaris-axis hand-rotational-pole-and-polar-spin Earth-axial-tilt-and-Polaris-and-celestial-pole axis-and-rotational-pole-and-polar-spin surfaces under Earth-axial-tilt-and-Polaris-and-celestial-pole 23.5-degree-and-precession-and-celestial-mechanics polar-pivot-light. Sits at the modifier-and-cosmic end of the grid, parallel to orbit and zenith in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#212b5a
Original
#14315c
Protanopia
#0a2c59
Deuteranopia
#00363e
Tritanopia
#2c2c2c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
13.48:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.56:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##212B5A
Display P3
Display P3
color(display-p3 0.1372 0.1675 0.3408)
P3 has subtle headroomOKLCH chroma 0.085

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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