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Ominous Sapporo

#212089
Notes

Ominous Sapporo (#212089) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (241°, 62%, 33%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#212089
RGB
rgb(33, 32, 137)
HSL
hsl(241, 62%, 33%)
HWB
hwb(241 13% 46%)
OKLCH
oklch(33.2% 0.167 273.0)
P3
color(display-p3 0.1287 0.1256 0.5159)
HSV
hsv(241, 77%, 54%)
LAB
lab(20.68% 37.12 -57.53)
LCH
lch(20.68% 68.46 302.83)
CMYK
cmyk(76%, 77%, 0%, 46%)

Etymology

Ominous
adjective

Latin ōminōsus, full of foreboding — derived from omen. As a color modifier, ominous implies a deep-and-threatening atmospheric-foreboding quality, the dark cool-gray of Goyaesque storm-laden sky. Sits at the deep-and-threatening end of the grid, parallel to foreboding and menacing in tone.

Sapporo
noun

Capital of Japan's Hokkaido island — a city famous for its annual February Yuki Matsuri (Snow Festival) with deep-twilight blue lighting on illuminated snow sculptures along the Ōdōri Park boulevard. Sapporo color refers to a Yuki Matsuri night-sky over an illuminated snow sculpture: a saturated, slightly cool deep blue-violet with the optical complexity of artificial illumination on snow-reflected sky.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#212089
Original
#00378c
Protanopia
#002d87
Deuteranopia
#003f53
Tritanopia
#282828
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
12.86:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.63:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##212089
Display P3
Display P3
color(display-p3 0.1287 0.1256 0.5159)
P3 has subtle headroomOKLCH chroma 0.167

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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