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Placid Moot Kingfisher

#209fb9
Notes

Placid Moot Kingfisher (#209FB9) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (190°, 71%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#209fb9
RGB
rgb(32, 159, 185)
HSL
hsl(190, 71%, 43%)
HWB
hwb(190 13% 27%)
OKLCH
oklch(64.9% 0.109 215.9)
P3
color(display-p3 0.3004 0.6145 0.7132)
HSV
hsv(190, 83%, 73%)
LAB
lab(60.43% -23.63 -22.80)
LCH
lch(60.43% 32.83 223.98)
CMYK
cmyk(83%, 14%, 0%, 27%)

Etymology

Placid
adjective

Latin placidus, gentle / quiet — derived from placēre (to please). As a color modifier, placid implies a clear-and-unruffled quality where the hue carries the visual register of mirror-smooth lake-surface in windless mid-morning. Sits at the crisp-and-calm end of the grid, parallel to serene and peaceful in usage.

Moot
modifier

Old English mōt, meeting-or-debate-point. As a color modifier, moot implies a debated-and-suspended-and-undecided quality, the visual register of Anglo-Saxon-witenagemot-and-Inns-of-Court-moot hand-argued-and-suspended Anglo-Saxon-witenagemot-and-medieval-moot-court witenagemot-and-Inns-of-Court-and-shire-court mooted-and-debated surfaces under Anglo-Saxon-witenagemot-and-Inns-of-Court oak-bench-and-vellum debate-hall-light. Sits at the modifier-and-mood end of the grid, parallel to void and blank in usage.

Kingfisher
noun

The family Alcedinidae — particularly Alcedo atthis, the European common kingfisher whose iridescent turquoise-blue plumage gives the color its name. The color refers to a male European kingfisher's wing: a saturated, slightly cool deep blue-green with the iridescent satin finish of structurally colored feathers.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#209fb9
Original
#8d9aba
Protanopia
#7a8bb9
Deuteranopia
#00a8a7
Tritanopia
#868686
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.12:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.72:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##209FB9
Display P3
Display P3
color(display-p3 0.3004 0.6145 0.7132)
P3 has subtle headroomOKLCH chroma 0.109

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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