colors
Back to gallery

Tenacious Leo Ultramarine

#2069d5
Notes

Tenacious Leo Ultramarine (#2069D5) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (216°, 74%, 48%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2069d5
RGB
rgb(32, 105, 213)
HSL
hsl(216, 74%, 48%)
HWB
hwb(216 13% 16%)
OKLCH
oklch(54.0% 0.181 258.9)
P3
color(display-p3 0.2120 0.4059 0.8073)
HSV
hsv(216, 85%, 84%)
LAB
lab(45.92% 18.36 -61.59)
LCH
lch(45.92% 64.27 286.60)
CMYK
cmyk(85%, 51%, 0%, 16%)

Etymology

Tenacious
adjective

Latin tenāx, holding-fast — adjectival suffix -ous. As a color modifier, tenacious implies a saturated-and-clinging quality where the hue grips its substrate with stubborn pigmentation. Sits at the bold-and-resilient end of the grid, parallel to unyielding and adamant in usage.

Leo
modifier

Latin leo, lion-of-the-zodiac. As a color modifier, leo implies a lion-and-fire-sign-and-Sun-ruled-fixed-fire quality, the visual register of Hellenic-Leo-and-Nemean-lion hand-lion-and-fire-sign-and-Sun-ruled-fixed-fire Hellenic-Leo-and-Nemean-lion-and-Hercules-twelve-labors leo-and-lion-and-fire-sign surfaces under Hellenic-Leo-and-Nemean-lion-and-Hercules-twelve-labors high-summer-and-July-and-August fixed-fire-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to cancer and virgo in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2069d5
Original
#2075d9
Protanopia
#0065d3
Deuteranopia
#008395
Tritanopia
#616161
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.19:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.04:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2069D5
Display P3
Display P3
color(display-p3 0.2120 0.4059 0.8073)
P3 has visible headroomOKLCH chroma 0.181

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas