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Refined Hai

#201c12
Notes

Refined Hai (#201C12) is a deep amber with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (43°, 28%, 10%) places it in the muted band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#201c12
RGB
rgb(32, 28, 18)
HSL
hsl(43, 28%, 10%)
HWB
hwb(43 7% 87%)
OKLCH
oklch(22.8% 0.019 88.8)
P3
color(display-p3 0.1228 0.1104 0.0752)
HSV
hsv(43, 44%, 13%)
LAB
lab(10.42% -0.09 7.36)
LCH
lch(10.42% 7.36 90.70)
CMYK
cmyk(0%, 12%, 44%, 87%)

Etymology

Refined
adjective

Latin re- plus fīnis — past-participle of refine. As a color modifier, refined implies a neutral-and-elegantly-stripped-down-and-cultivated quality, the neutral color of Edwardian-and-Belle-Époque refined-and-stripped-of-excess elegant-and-cultivated interior-decoration-and-dress-attire coordinated-color tone. Sits at the neutral-and-cultivated end of the grid, parallel to cultured and polished in usage.

Hai
noun

Japanese 灰, ash — the Heian-period color name for the deep-charcoal-gray of kara-bai (Chinese-ash) cosmetic powder used in court-makeup tradition. Hai color refers to a freshly powdered Heian-period kara-bai cosmetic: a dark gray with the matte finish of bone-ash-and-burnt-bamboo fine-powder cosmetic on hand-prepared silk-paper gō-shi makeup-card.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#201c12
Original
#1e1c11
Protanopia
#1f1d12
Deuteranopia
#221a19
Tritanopia
#1c1c1c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
16.99:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.24:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##201C12
Display P3
Display P3
color(display-p3 0.1228 0.1104 0.0752)
Inside sRGBOKLCH chroma 0.019

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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