Outdoor Drizzle
Outdoor Drizzle (#20191B) is a deep red with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (343°, 12%, 11%) places it in the muted band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
English compound out + door — sharing root with German außerhalb. As a color modifier, outdoor implies a neutral-and-natural-and-weather-exposed quality, the neutral color of L-L-Bean-and-Patagonia outdoor-clothing weather-exposed-and-utilitarian outdoor-and-camping textile-finish surface. Sits at the neutral-and-traditional end of the grid, parallel to natural and weathered in usage.
Old English dreozian, to fall in drops — the deep-cool-gray light rainfall typical of British coastal weather, particularly the Cornish and Welsh coastal cymylog (cloudy) winter months. Drizzle color refers to a Pendeen-and-Land's-End Cornish cliff-and-Atlantic horizon in November drizzle: a dark cool-gray with the optical complexity of low-stratus-cloud-and-light-rain against the saturated wet granite cliff-face.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
This color has effectively no chroma (OKLCH C = 0.012) — it’s on the grayscale axis. Hue rotations don’t change a grayscale color, so complementary, analogous, triadic, and split-complementary all reduce to the same value. They aren’t shown because four identical tiles would be misleading.
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.