Composed Rime Forest
Composed Rime Forest (#1F9434) is a true green with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (131°, 65%, 35%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
The past participle of compose, to arrange together — used as a color modifier for hues that read as deliberate and balanced. Composed black, composed gray: the saturation is moderate, the hue is calmly positioned without aggression. Sits at the bold-and-quiet edge of the grid near settled and resolute.
Old English hrīm, hoar-frost-on-twigs. As a color modifier, rime implies a feathered-frost-and-fog-deposited quality, the visual register of Scottish-Highland-and-Cairngorm-rime hand-feathered-frost-and-fog-deposited Scottish-Highland-and-Cairngorm-rime-and-Pennine-cap rime-and-feathered-frost-and-fog-deposited surfaces under Scottish-Highland-and-Cairngorm-rime-and-Pennine-cap Cairngorm-Highlands-and-Scottish-Munro-and-Pennine-cap freezing-fog-light. Sits at the modifier-and-weather end of the grid, parallel to hoar and sleet in usage.
The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.